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Mildred Pierce

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks

Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to a monstrous daughter.

Out of these elements, Cain creates a novel of acute social observation and devastating emotional violence, with a heroine whose ambitions and sufferings are never less than recognizable.

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    • AudioFile Magazine
      Poor Mildred. Her husband leaves her. She has no job skills, and there aren't any jobs anyway--it's the Depression. But, by gum, she will not let her problems get her down. Narrator Christine Williams does the best she can with the material, affecting a high-toned delivery reminiscent of heroines of films from the '40s. While appropriate, the performance eventually strains the nerves of the listener. Mildred has great legs and a wonderful figure, and she has sex when she feels like it--it was shocking for its time, but it's not that interesting for modern listeners. Cain's other novels, THE POSTMAN ALWAYS RINGS TWICE and DOUBLE INDEMNITY, feature tough broads like Mildred, but when put in the spotlight, she fails to carry the load. R.O. (c) AudioFile 2007, Portland, Maine
    • Publisher's Weekly

      May 28, 2007
      Cain’s classic novel, and the source for the 1945 film starring Joan Crawford, makes its way onto audio with this reading by actor and singer Williams. Cain’s purple prose and then-scandalous dialogue take on new life under Williams’s direction, her assured tone underscoring the legendary noir writer’s rip-roaring tale of a woman scorned who survives no-good men and a hateful daughter to make it in 1930s Los Angeles. Williams is out of her depth encountering tense or high-pitched dialogue, reading it in a clipped monotone that does little for Cain’s drama, but is on far stronger ground with the rest of the book, which flourishes under her steady, patient, ever-so-slightly melancholic gaze. Williams’s reading lacks the rage that moved Crawford’s Mildred, but her version of the now-familiar story amplifies our sense of Cain’s heroine as an abandoned woman who finds her own way, on her own terms.

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  • English

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