Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Move Fast and Break Things

How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy

Audiobook
1 of 1 copy available
1 of 1 copy available
The book that started the Techlash.
A stinging polemic that traces the destructive monopolization of the Internet by Google, Facebook and Amazon, and that proposes a new future for musicians, journalists, authors and filmmakers in the digital age.
Move Fast and Break Things is the riveting account of a small group of libertarian entrepreneurs who in the 1990s began to hijack the original decentralized vision of the Internet, in the process creating three monopoly firms — Facebook, Amazon, and Google — that now determine the future of the music, film, television, publishing and news industries.
Jonathan Taplin offers a succinct and powerful history of how online life began to be shaped around the values of the men who founded these companies, including Peter Thiel and Larry Page: overlooking piracy of books, music, and film while hiding behind opaque business practices and subordinating the privacy of individual users in order to create the surveillance-marketing monoculture in which we now live.
The enormous profits that have come with this concentration of power tell their own story. Since 2001, newspaper and music revenues have fallen by 70 percent; book publishing, film, and television profits have also fallen dramatically. Revenues at Google in this same period grew from $400 million to $74.5 billion. Today, Google's YouTube controls 60 percent of all streaming-audio business but pay for only 11 percent of the total streaming-audio revenues artists receive. More creative content is being consumed than ever before, but less revenue is flowing to the creators and owners of that content.
The stakes here go far beyond the livelihood of any one musician or journalist. As Taplin observes, the fact that more and more Americans receive their news, as well as music and other forms of entertainment, from a small group of companies poses a real threat to democracy.
Move Fast and Break Things offers a vital, forward-thinking prescription for how artists can reclaim their audiences using knowledge of the past and a determination to work together. Using his own half-century career as a music and film producer and early pioneer of streaming video online, Taplin offers new ways to think about the design of the World Wide Web and specifically the way we live with the firms that dominate it.
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      February 27, 2017
      In this insightful analysis of the intersection of technology and culture, Taplin, director emeritus of the University of Southern California’s Annenberg Innovation Lab and a longtime figure in the music and movie industries, explains how the rise of modern Internet monopolies has changed the face of information and entertainment. “The rise of the digital giants is directly connected to the fall of the creative industries in our country, ” he argues as he explores the rise of the Internet, the emergence of new media platforms, and the legacy of the influential players who shaped the way we conduct ourselves online. His focus is on Facebook, Google, and Amazon and the way they gather and sell information, but he also goes back to the earlier days of Napster and other pirate sites to show how the convenience of file sharing affected the entertainment industries as a whole, and likewise looks at how social media affected the 2016 election. The book reads like a collection of essays revolving around a series of related topics; the sections never form a coherent, cohesive whole. Taplin provides a keen, thorough look at the present and future of Americans’ lives as influenced and manipulated by the technological behemoths on which they’ve come to depend. His work is certainly food for thought, even if he’s a little unfocused.

    • Kirkus

      March 1, 2017
      When American representative democracy collapses, blame it on Facebook.The internet can be used for immoral purposes, writes tech pioneer Taplin, director emeritus of USC's Annenberg Innovation Lab, from selling drugs and pornography to enabling the piracy of intellectual property. It can also be used to do good, enhancing the economies of remote places by linking them to the world. But if it is largely amoral, that, by Taplin's account, owes little to those who are making fortunes on the Web by controlling and selling information and ransoming eyeballs. Among Taplin's heavies are Facebook, Google, and PayPal, as exemplified by founders and executives Mark Zuckerberg, Larry Page, and Peter Thiel, the last of whom emerges as a kind of dark lord of the Hobbesian, libertarian internet (a characterization echoed by other observers). Google enables piracy, guiding readers to sites where albums and movies can be downloaded. Though hiding behind a do-no-evil mantra, Google could simply stop listing pirate sites just as it stopped listing illegal drug sites--"after it paid a $500 million fine for linking" to them. What does all this have to do with democracy? For one thing, it promotes inequality--and, as Taplin notes, with Robert Bork's "protrust" view of antitrust laws now dominant in legal and governmental circles, monopolies are often encouraged rather than prohibited. For another, it narrows choice despite the seemingly endless offerings of Amazon, Wal-Mart, et al. The author offers a modest program of resistance, among whose planks is the interesting notion that creators, especially musicians, would do well to follow the Sunkist model, forming cooperatives to control their works just as citrus growers banded together in common interest. "I have no illusion that the existing business structures of cultural marketing will go away," he writes, "but my hope is that we can build a parallel structure that will benefit all creators." A powerful argument for reducing inequality and revolutionizing how we use the Web for the benefit of the many rather than the few.

      COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      May 15, 2017

      Taplin's (director emeritus, Univ. of Southern California Annenberg Innovation Lab) prose is like a web search: he pulls in multiple topics, uses frequent citations, and fires ideas at lightning speed. In the end, readers understand how this swirl of ideas, facts, and mistruths describe Facebook, Google, and Amazon as anarcho-libertarian economic monopolies. Lawless digital companies steal, hoard, and sell popular culture. Online monopolies rob artists, writers, and musicians of payment and sell information that online users unwittingly provide for free. Libertarian robber barons such as PayPal founder Peter Thiel, Larry Page of Google, and Facebook creator Mark Zuckerberg, worship unregulated online and real-world markets, and fiercely fight any attempt at democratic control. The dream of an Internet of ideas has morphed into an intrusive and spectacularly profitable market for those who possess digital content. VERDICT This fast-paced dissection of the inner workings of the Internet will fascinate anyone using it--and make them want to drop off the grid.--Duncan Stewart, Univ. of Iowa Libs., Iowa City

      Copyright 2017 Library Journal, LLC Used with permission.

Formats

  • OverDrive Listen audiobook

subjects

Languages

  • English

Loading