February 5, 2018
Bestseller Quindlen’s provocative novel (after Miller’s Valley) is a New York City drama of fractured marriages and uncomfortable class distinctions. Nora and Charlie Nolan, married 25 years, live in a posh neighborhood in Manhattan. She is a museum director, he’s an investment banker, and both are lodged in a passionless marriage of silent tolerance. Simmering class, economic, and racial tensions boil over when an arrogant, rich white lawyer neighbor hits a local Latino handyman with a golf club for blocking a parking lot entrance. This forces Nora, Charlie, and their neighbors to decide how seriously to take the crime. Suddenly, the neighborhood’s veneer of acceptance and inclusion is peeled away, revealing resentment and bitterness among neighbors and spouses. Nora and Charlie argue openly, revealing just how little they really care about each other and prompting Nora to conclude there are only three kinds of marriages: “happy, miserable, and acceptably unhappy.” Quindlen’s novel is an exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships.
February 15, 2018
A Manhattan comedy of manners with a melancholy undertow.The vagaries of parking in New York City figure prominently in Quindlen's ninth novel, which begins with a moment of parking karma: Charlie Nolan has just scored a permanent spot in the small outdoor lot on his Upper West Side block. Charlie, an investment banker, and his wife, Nora, who runs a jewelry museum, live in a town house surrounded by other town houses owned by affluent types much like themselves; the only blight on the block is a single-room-occupancy building. The Nolans have been married for almost 25 years--not unhappily, not quite serenely--and are parents of college-age twins. Nothing much happens in the first 100 pages or so, but the author's amusing digressions--on dogs, rats, parking tickets, housing prices, and other city obsessions--keep things moving. Then a violent act shatters the calm on the Nolans' block: Hot-tempered Jack Fisk, partner in a white-shoe law firm, takes a golf club to mild-mannered Ricky Ramos, the neighborhood handyman, who's had the temerity to block the entrance to the parking lot with his van. And simmering issues of race and class boil over. (Earlier, when Nora visits Ricky at his home in the Bronx--getting lost, of course, on the way--there's a whiff of Bonfire of the Vanities.) The golf-club incident also has consequences for the Nolan family. The title of the book, it turns out, doesn't just refer to parking. Quindlen's sendup of entitled Manhattanites is fun but familiar. And though the author has been justly praised for her richly imagined female characters, Nora can seem more a type than a full-bodied woman.There's insight here--about the precariousness of even the most stable-seeming marriages--and some charm, but the novel is not on a par with Quindlen's best.
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Starred review from February 1, 2018
By New York City standards, or anyplace else for that matter, Nora and Charlie Nolan lead a charmed existence. Their vintage townhome has appreciated in value; their twin son and daughter are doing well in college; and they each are employed in fiscally, if not emotionally, satisfying jobs. Their dead-end street is populated by an eclectic but mostly homogeneous group of professionals and stay-at-homes, millennials and matrons, housekeepers and handymen. Some neighbors are barely tolerated as casual acquaintances, while others are friends and all turn out for Christmas parties and summer barbecues. Then one day, their idyllic setting is shattered when Jack Fisk, one of their more volatile neighbors, violently attacks Ricky, their beloved jack-of-all-trades caretaker. In retrospect, it would seem to Nora that with each impact of Jack's golf club on Ricky's body, another fissure splintered the Nolans' carefully constructed world. The quotidian lives of Manhattanites have long fascinated discerning writers, from Wharton to McInerney, and with her ninth novel, best-selling Quindlen (Miller's Valley, 2016) takes her place within this pantheon. Though she writes with a deceptive casualness about dashed dreams and squandered hopes, Quindlen's quietly precise evaluation of intertwined lives evinces a keen understanding of and appreciation for universal human frailties. Complex themes and clever motifs make this eminently suitable for book groups.HIGH-DEMAND BACKSTORY: Extensive, many-faceted publicity efforts will mobilize Quindlen's legions of readers.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)