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1 of 1 copy available
1 of 1 copy available
Bestselling author Alexander McCall Smith brings all the warmth of his extraordinary No. 1 Ladies’ Detective Agency books and the Sunday Philosophy Club series to this witty novel chronicling the lives of the residents of 44 Scotland Street in Edinburgh. Originally serialized in The Scotsman, 44 Scotland Street is an international sensation.
When twenty-year-old Pat rents a room from handsome and cocky Bruce, she inherits some delightfully colourful neighbours: Domenica, an insightful and eccentric widow; Bertie, a five-year-old who’s mastered both saxophone and Italian; and Irene, his overbearing mother. Pat’s new job at a gallery seems easy enough. Her boss spends most of his time drinking coffee in a local café and discussing matters great and small, and Pat’s duties are light. That is until she realizes that one of their paintings may be an undiscovered work of a renowned Scottish artist and she discovers that one of their customers may be in on the secret. Add to this a fancy ball, love triangles and an encounter with a famous crime writer, and you have Alexander McCall Smith’s entertaining and humorous portrait of Edinburgh society.
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    • Publisher's Weekly

      Starred review from April 25, 2005
      Like Smith's bestselling Botswana mysteries, this book—comprising 110 sections, originally serialized in the Scotsman
      , that drolly chronicle the lives of residents in an Edinburgh boarding house—is episodic, amusing and peopled with characters both endearing and benignly problematic. Pat, 21, is on her second "gap year" (her first yearlong break from her studies was such a flop she refuses to discuss it), employed at a minor art gallery and newly settled at the eponymous address, where she admires vain flatmate Bruce and befriends neighbor Domenica. A low-level mystery develops about a possibly valuable painting that Pat discovers, proceeds to lose and then finds in the unlikely possession of Ian Rankin, whose bestselling mysteries celebrate the dark side of Edinburgh just as Smith's explore the (mostly) sunny side. The possibility of romance, the ongoing ups and downs of the large, well-drawn cast of characters, the intricate plot and the way Smith nimbly jumps from situation to situation and POV to POV—he was charged, after all, with keeping his newspaper readers both momentarily satisfied and eager for the next installment—works beautifully in book form. No doubt Smith's fans will clamor for more about 44 Scotland Street, and given the author's celebrated productivity, he'll probably give them what they want. Agent, Robin Straus
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  • English

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